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Feel each key and make sure your hand is supported by the hand bridge. Once you are comfortable with the new hand position, try playing a chromatic ascending scale slowly. It is necessary for us small-handed pianists to do so in order to avoid the unnecessary tension. We have the hand bridge again, the solid support from the knuckle relaxes the finger, which allows them to move faster and easier! Be aware that you are more likely to use the side of the fingertips. Hooray! Look at the nice curved hand shape! Step 5: Squeeze the thumb and pinky inwards. Step 4: Now play the octave slowly, but play as close as possible to where the inner keys are. Step 3: Pull your elbow towards you so that the fingertips rest at the edge of the keys. Tilt only slightly to the right until the fingertip of the thumb and pinky align at the same horizontal line. Step 2: Tilt your hand from the wrist as if you are waving at a friend. It will require more effort for the pinky in this hand position. However, it doesn’t work for octave playing because the pinky is positioned too much in the middle of the key. The arm is behind the middle finger and looks nice and straight. The photo below shows the natural hand position. Step 1: Put your hand to play any octave. Before you frantically practice them over and over, let’s slow it down and check in with your body and what you are doing. The most common struggle that small-handed pianists experience is playing octaves and big chords. Physical Adjustment for Octave and Chord Playing The second article on this topic will focus on making adjustments to the music in order to accommodate your body needs without losing the musical character.
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These exercises should be practiced regularly as a fundamental part of piano playing.Īs the first of two articles that introduce useful tips for small-handed pianists, here I will share the tips how to make physical adjustment in order to execute octaves, chords, and large intervals easily. It introduces you some of the basic body movements such as standing up and sitting down at the piano, which helps you to be aware of your body. If you haven’t done so already, please check out my previous article, How to Gain Body Awareness for Pianists, to first become atuned to your physical sensations. In other words, we must be able to notice the subtle discomfort of what we are doing. We must learn what works the best for our body and hand size. The pain can be experienced not only during the practice session, but it can also happen when you are not playing. It might be a slight discomfort in the wrist or arm at first, but if they do not take care promptly, it can lead to serious injury, such as tendonitis and carpal tunnel syndrome. They often have to stretch the hand for a long period of time without having the support of the bridge of the hand. Small-handed pianists need to become extra aware of their physical needs, as they have a higher risk of experiencing pain or having playing-related injuries. It seems that those pieces simply require larger hands! You are lucky if you have big hands to reach all the notes without any problem, but not all of us have the luxury… But don’t worry, my fellow small-handed pianists! You don’t need to say you can’t play this or that, it might be just a matter of your technique and understanding of your body! The more challenging repertoire you play, the more big chords you will encounter - more octaves, more jumps.
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I have to find what works for ME, not simply following what is “believed” to be a good technique. After years and years of trying different methods and techniques to reach more notes comfortably, I have come to the conclusion - I have to adjust the techniques according to my hand size. It’s not even a comfortable reach - I barely reach one octave.
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Yes, I do have small hands my maximum reach is just an octave. I have been asked this many times in my life. “How can you play the piano with such tiny hands?!”